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"It was rather better than I anticipated, thank you," not in the haughty tone adopted by her half an hour ago, but, in an unnerved and frightened whisper. "But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either." "Now, look here," he says, impressively: "I hope nobody is going to indulge in so much as a covert smile to-day." He glances severely at Nolly, who is already wreathed in smiles. "Because the Æsthetic won't have it. She wouldn't hear of it at any price. We must all be in tense! If you don't understand what that means, Mona, you had better learn at once. You are to be silent, rapt, lifted far above all the vulgar commonplaces of life. You may, if you like, go into a rapture over a colorless pebble, or shed tears of joy above a sickly lily; but avoid ordinary admiration.".
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To make personal remarks, we all know, is essentially vulgar, is indeed a breach of the commonest show of good breeding; yet somehow Mrs. Geoffrey's tone does not touch on vulgarity, does not even belong to the outermost skirts of ill-breeding. She has an inborn gentleness of her own, that carries her safely over all social difficulties. "It is terrible," says Mona, with such exceeding earnestness that he could have hugged her on the spot. "The man with the mane? that is Griffith Blount. The most objectionable person any one could meet, but tolerated because his tongue is so awful. Do you know Colonel Graves? No! Well, he has a wife calculated to terrify the bravest man into submission, and last year when he was going abroad Blount met him, and asked him before a roomful 'if he was going for pleasure, or if he was going to take his wife with him.' Neat, wasn't it? But I don't remember hearing that Graves liked it." It has an octagon chamber of the most uncomfortable description, but no doubt artistic, and above all praise, according to some lights. To outsiders it presents a curious appearance, and might by the unlearned be regarded as a jumble of all ages, a make-up of objectionable bits from different centuries; but to Lady Lilias and her sympathizers it is simply perfection..
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